Jean-Auguste-Dominique Ingres
1780 - 1867The last of the French neoclassical painters, Jean-Auguste-Dominique Ingres invented an atypical, Mannerist canon of feminine beauty that made him famous. His masterpiece, La Grande Odalisque (1814), is as much a part of the history of Orientalism as it is of the tradition of the great masters of Western painting. A skilled draughtsman, admirer of Raphael and adept at pure line, Ingres was so influential that other artists, such as Pablo Picasso, came to draw inspiration from his style in what is known as “ingrism” or the “ingresque period”. His passion and talent for the violin inspired the expression “to have an Ingres violin”.
Antoine Bourdelle
1861-1929Born in Montauban at 6 rue de l’Hôtel de Ville, a stone’s throw from the museum that now bears his name, Antoine Bourdelle showed an early aptitude for drawing and sculpture at the age of 13. A pupil of the sculptor Falguière at the Beaux Arts de Paris, Bourdelle soon became a practitioner in Rodin’s studio, collaborating with the Master for 15 years. His most striking work is Héraclès archer (1910), the original plaster of which is on display at the Musée Ingres Bourdelle in Montauban. 13 of the artist’s sculptures are freely on display in the town center. Bourdelle’s art is also recognized in Paris, with the Musée Bourdelle and a Jardin-Musée in Egreville (77). For the nostalgic, Bourdelle also inspired the “Héraklès” brand of notebooks for schoolchildren.